The viewfinder has a splendid 5.76M dot OLED panel. The Canon EOS R and RP are the only models with a multi-angle screen as of now. I’m not a big fan of the minimalistic design (many buttons don’t have markings), but I suppose it’s just a question of getting used to it. As you can guess, the size and weight are considerable. Sony is finally on the right track.īuilt like a tank and wonderfully crafted, the SL was the first full-frame mirrorless camera designed for professionals and probably inspired Panasonic’s S models. Buttons and dials have also been improved, and while the overall menu system remains a bit cumbersome at first, there is lots of room for personalisation. It is still not my favourite but it is now closer in comfort to some of the other models mentioned on this list. The grip is larger which improves comfort when working with large lenses. The A7R IV and A9 II have the best design of all A7/A9 series cameras to date. However they are the largest and heaviest on this list: some won’t be bothered by this, others might look the other way. They are made for professionals and you perceive this as soon as you hold one in your hand (the rear buttons can be retro-illuminated too). The superb build quality, handling and button layout bring the design of these two cameras close to perfection. Button wise, I’ve come to like the controversial touch bar on the rear but I miss having an AF joystick. It is also the most intuitive camera to use (including the menu system). The shape is perfect and it feels better in the hand than any other model. They’re everything you could wish for from a mirrorless camera. There is decent room for customisation yet the default set-up doesn’t require many modifications. The controls are complete, precise, well positioned and easy to access. They are reasonably compact and have a comfortable grip. Note that all the models mentioned below are weather-sealed. In this first chapter I took into consideration the build quality, the ergonomics, the grip, the button layout and the customisation options. Discontinued models have also been left out. I’ve excluded the Leica M series because it is a different kind of product, as well as fixed-lens cameras such as the Leica Q and Sony RX1R II which are more niche.
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